EMBURY COCKTAILS

Spirited Pride: Ryan Robles

Photo: Maren Caruso

When I was talking with the folks from Campari America about the scope of this Spirited Pride series of interviews with LGBTQ professionals in the cocktail and spirits world, I proposed expanding beyond bartenders to people working in other aspects of the industry. My friend Ryan Robles, a highly imaginative PR powerhouse who's based in San Francisco,  and who's worked on Negroni Week there for the past 4 years  immediately came to mind. I met Ryan Robles through our mutual friend Virginia Miller, who described his unbridled creativity around his PR projects to me: "Ryan always goes above and beyond, being both personal and creative with his PR. He's been known to hand deliver artful baskets, Campari-filled donuts from one of the top bakeries around (baked fresh that morning), and other beautiful, standout packages that represent a very personal side with his clients like Campari.” It's these creative flourishes that really make his PR and marketing initiatives stand out, and he runs his very Willy Wonka creative agency out of his delightfully eclectic house in Bernal Heights. His clients include Octavia, Frances, 1760, Loló, Onsen –- a new bathhouse concept launching in the Tenderloin this fall -- and a handful of other lifestyle brands. I thought I'd let Ryan take the wheel for his own intro—PR likes to handle its own spin, of course.

JR: So give me the elevator pitch: who's Ryan Robles?

RR: I'm Ryan Robles, I run a boutique creative agency out of San Francisco, focused on publicity, events, creative campaigns, social media and influencer marketing for lifestyle concepts, restaurants, bars, and spirit brands.

JR: So talk me about the journey that got you into the PR side of things.

RR: Well, in early 2000s I was throwing late night underground discos in San Francisco with my best friend Marcia Gagliardi (aka Tablehopper.com). These were much bigger ideas than typical club nights. We really tried to create conceptual nightlife environments with overarching themes with everything we did together. One night in The Tenderloin we rented the penthouse of an old apartment building that was almost derelict, and recreated the vibe of David Mancuso's legendary Loft parties from the 70s. We also threw a series of pool parties at the Phoenix Hotel called Feather – that were an homage to mid 70s disco bohemian Malibu culture, very LA disco. We also hosted a monthly disco brunch called Rehab which was insanely popular. We had hosts dressed as nurses that would check you in when you arrived and doctors pushing through medical carts filled with Tylenol, Tums, test tube shots and other recovery remedies. I really connected with the creative freedom I had when throwing these parties. I loved curated the soundtrack of the night and creating a lighting concept or installations. Back then I lived in a big warehouse in South of Market – which became my staging area and workshop for building out installations. When we threw these parties, we also did the PR for them as well. And back then San Francisco was more of a nightlife city-- everyone went out dancing, so there were a ton of event listing sites, and more outlets willing to cover crazy club nights or happenings. This is around the time I decided I wanted to become a publicist, even though I don't think I quite knew what a publicist did.

Back in the day...

Somehow I was able to convince a few up and coming designers to let me represent them, and my rate was so ridiculously low, looking back I don't even know how I did that. I had 2 designers hire me to set up media tours for them in NY which I somehow pulled off, and then I started getting hired to do local boutique launches, so I'd organize the parties, and press around each opening. I was so scrappy back then – I'd come in with photographers, DJs, set up the food that was served on vinyl. We literally had no budget for any of this, but somehow made it all work. I really connected with the creative freedom I had when throwing these parties. I loved curating the soundtrack of the night and creating a lighting concept or installations.

After a while I was ready for a change. I wanted to do something new, but didn’t know what that was. At the time I had a friend that had recently moved to Sydney, and suggested I move there – and pretty much on the spur of the moment I did. It was 2007.

Shortly after arriving I met a woman named Jackie Milliash. She was a well-known restaurateur with a wild and notorious local profile. She had owned a hot restaurant destination called Jackie's that was located on Bondi Beach. The restaurant had closed just before I arrived, and when I had met Jackie – she was in the process of opening her next restaurant, called Jackie's Café – which was located in Paddington. It was an unusual concept where you had this cozy restaurant concept with really lovely café-style food inside, but directly across from it, on the other side of the patio area, there was a long omakase-style sushi bar with some of the top sushi chefs in Sydney. Even with the little experience that I had in hospitality, I knew that this was very innovative at the time.

Jackie and I got along like a house on fire. She was a little crazy (which I loved), but had huge heart and was a lot of fun. She taught me so much about the restaurant industry. At one point, I was basically running Jackie's Café. Its where I learned the nuts and bolts of running a restaurant. I went through the process of opening this spot with her, so I knew how much food cost, how to price dishes, and how to be a host and server. I also helped her with a little bit of marketing and PR. I remember us getting a lot of press. It was the only place where you could go to get this traditional Australian lunch or get sushi in a totally chic setting. Working with Jackie is when I fell in love with the hospitality industry.

Ryan's home office in Bernal Heights.

When it was time to move back to San Francisco, I knew that I wanted to continue working in this industry, but really didn’t know how to go about doing that. I was a terrible server, and didn’t have a ton of experience, but knew that this is where I belonged. I loved how passionate people were in this industry, and how insane they could be at the same time. I wanted to be a part of the community.
After moving back to San Francisco, I was introduced to Christopher Losa, the owner of an incredible Italian restaurant in the Mission, called Bar Bambino. It was like this gorgeous oasis located in a dicey part of the neighborhood, and in the middle of all this urban mayhem. Christopher took a chance on me, and hired me to help develop an events program for the restaurant. It was a perfect fit for me at the time. My role eventually evolved into curating off-site events for the restaurant, where I got to exercise the creativity that I loved when I was throwing late night parties, but there was also this elevated food and wine component to them as well.

One of the events we did was for a new dance theatre that was being built just next to the restaurant, called the ODC Theater. We produced this stylish four-course dinner essentially in the middle of a construction zone. We created these big pendant light installations out of construction string lights, built tables, and brought in a working kitchen and chefs to create the dinner experience – which was so much fun. After that I started getting hired to do weddings, and other VIP-style events.

Soon after I was hired by a local agency to do publicity for restaurants. That is when I learned the actual process of  doing PR. I caught on quickly, but realized I wasn’t really an agency kind of guy. That’s when I decided to start my own business. Soon after, I met Campari America, and then started working on Negroni Week. It all pretty much snowballed from there.

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Ryan's Bernal Heights home office.

PRO PR TIPS FOR BARTENDERS:

TALKING TO PRESS:

When talking to a journalist about your cocktail, bar or program – it’s important to have a easy-to-understand concept statement or elevator pitch that's concise to transmit. I like to work with clients on practicing the top three main talking points to communicate for each opportunity that we are creating or that comes our way. These are tailored to the story that is being written or they are being interviewed for. I always recommend that these three talking points are communicated first in any interview or discussion. This way, if you have a tendency to ramble or get side tracked talking about a specific cocktail or a story – you’ve already given the writer what they need up front. It’s all about being efficient with the information you are giving. I also think it’s important to read the last couple of stories the journalist who is interviewing your has written to understand their writing style, and what they are most likely to cover. This can save you some time with the info you are giving. you’ve given.

If the question is about your concept – your response should be able to be given in one sentence. If the question is about your cocktail style – this should be one sentence as well. Also, in this day and age and in most metropolitan cities, it’s usually a given that you are using seasonal and local ingredients, so find a way another way to describe what you are doing. I think it’s important to let the writer know your cocktails are being made with integrity, but don’t hang your hat on soley that. Find a way deeper way to describe what you are creating.

EDITOR'S NOTE: Also, if a writer or editor gets in touch with you about using one of your drinks in a story or featuring your bar in some way, prioritize that return email. Get back to them as soon as possible, and don't delay on getting them recipes of answering follow up questions—this can easily make the difference between making it into a story or not. Writers can be disorganized and can be fighting tight deadlines, too—helping them out by responding swiftly can make a big difference in this whole equation. And if you're consistently highly responsive to writers' and editors' queries and requests you will start to be on their shortlist of who o contact when they need something to flesh out a piece in a hurry. This can mean much more coverage for your and your bar in the long run.JR.

PHOTO READY: It's super important to have professional photos available if they are being asked about cocktails, as well as be responsive on email. Most of your opportunities will come through that way. 

INSTAGRAM:

This is a great tool to use as a portfolio of your work. My biggest piece of advice is be thoughtful about the images you are posting. Photos of cocktails or food in dim lighting don’t look appetizing or appealing. You want your image to stand out and represent you. Be distinctive. If you love to share what you are creating behind the bar, photograph it during the day with good natural lighting. You’ll get a lot more engagement. Also, research the best hashtags to use as well. This will increase the amount of views of your post.

Also, make sure your profile is not set to private. Again, think of your Instagram almost like a digital portfolio of you work. We’ve received quite a few media opportunities based solely on the content we are curating for our clients on Instagram. Lastly, make sure you are following all the top spirit writers and outlets in your market and nationally. It’s an easy way to get in front of editors that you may never have the opportunity to actually meet. 

 

A COUPLE COOL NEGRONI WEEK PROJECTS RYAN DEVELOPED

Jen Macias of the Portland design form Fine-Counsel and her boyfriend Alejandro de la Parra of Teardrop Lounge have been collaborating on a series of posters called Cocktail Propaganda. When Ryan found out about the posters he wound us using this Negroni focused one as part of his Negroni Week projects in San Francisco. And quite a rich  line-up of contributors to this poster--Julie Reiner of Clover Club and Leyenda, Scott Baird & Josh Harris of the Bon Vivants, Jeff Morgenthaler of Clyde Common and Pepe le Moko and Pamela Wiznitzer of Seamstress and USBG NY. (Posters are available through Bull in China.)

 

Ryan put together a special screening of La Dolce Vita at Alamo Drafthouse SF during Negroni Week.

Ryan in the kitchen at client restaurant, Octavia.

SAGE NEGRONI

 PHOTO: Wes Rowe

Ryan has shared the recipe for one of his recent favorite cocktails with us,  from Christopher Longoria, who's Bar Manager at Ryan's client restaurant, 1760, on San Francisco's Polk Street.

 SAGE NEGRONI

In a cocktail tin

ADD: .75oz  Sage infused Campari
3 sage leaves.

MUDDLE

ADD: 2oz dry gin
.5oz dry vermouth
1oz Carpano Antica Formula
2 dash orange bitters

Stir for 20seconds.

Strain through a Hawthrone strainer and sieve into a Nick and Nora cocktail glass.

Sage Infused Campari Solution

For 1 cup of Campari (or 226.8ml)
ADD: 15.1 grams of sage
Vacuum pack.  
Leave sealed for two days.

KWLS 2013 Airstream Love: The Loud American and The Power & The Glory (a.k.a. Enzo Lim's "The Fort" in punch form.

In 2011 we'd served gimlets for guests of the Key West Literary Seminar from my brother Josh and sister-in-law Bonnie's Airstream--the beast was out of commission last year, getting a new engine and various upgrades by mad inventor bro, and this year she was back in full effect. We decided to serve from the Airstream at a party held on the lawn of Harry S. Truman's Little White House. But first she needed to get a good sprucing up. And: we had to come up with some cocktails for the evening. 

A huge fan Aperol, I had been struck by an ingenious cocktail of Enzo Lim's that he'd made for me at his bangin' Fhilipino restaurant in the East Village, Maharlika. "The Fort" is a beguiling fusion of Aperola,
guava juice, lemon juice and celery bitters. Front-loading a drink with Aperol is a ballsy move and this one really succeeds. When I found myself staring at the 6 bottles of Aperol I'd ordered the morning of the party I decided to attempt to recreate "The Fort" in punch form, following Enzo's proportions. Worked out quite well, particularly for the Aperol lovers in the crowd. In an attempt to retrofit this one to our Graham Greene theme I dubbed the punch "The Power and the Glory" after Greene's novel--the boldness of the drink just seemed right for that title. So, with huge thanks to Enzo:

THE POWER AND THE GLORY a.k.a. THE FORT 

1 1/2 oz Aperol

1 1/2 oz Guava juice

1/2 oz lemon juice

Dash of Bitter Truth Celery Bitters

Add ingredients in a shaker; add ice and shake.

Splash with soda.

Strain over fresh ice.

Garnish: lemon wedge.

 

Our transportation to the Airstream--the family ride, an admirably beat-up Honda truck, driven by little brother Ian. 

Our cocktail lounge on wheels.

 

Our home for the evening, with Hannah Scott along for the ride.

Sean was mixing up a vodka based punch, silky and smooth and friendly and as usual the hit of the evening. A more herbaceous variation on his "The Third Man" from our opening night party, "The Loud American" employed fresh thyme and lemon balm which I'd picked up (potted) at Key West's amazing nursery, The Marc House.

THE LOUD AMERICAN

22 Lemons

2 Oranges

2 Lbs. sugar

2 bunches fresh thyme

2 bunches fresh lemon balm

Muddle peels of citrus and herbs in sugar and let sit for at least an hour, muddling periodically. 

Brew 64 oz green tea (10 tea bags) 2 min.

Pour hot tea over muddled peels, stir until sugar is dissolved.

Add roughly 16 oz lime juice and roughly 16 oz lemon juice to stock mixture.  (to taste)

Add 3 litre bottles of Absolut vodka and 3-5 liters of soda water and serve over ice.

Garnish with lemon wheels, a few sprigs of fresh lemon balm & fresh thyme.

We served through the Airstream's windows, but many if not most of our guests stuck their head into the cab and it became quite the ad hoc VIP lounge.

Boom.

Key West Literary Seminar (& Cocktails) Finale: Volunteer Bloody Marys.

The schedule for the final day of the Seminar, including Bloody Mary time. Fun to be on the same line-up as Margaret Atwood, Jonathan Lethem and Billy Collins.

In the midst of the marathon of parties for the this year's KWLS Media Director Arlo Haskell reminded me of a tradition where the Seminar's volunteers all have Bloody Marys on the final afternoon of the session. I had no recollection of this from years prior, and I'm still not convinced it wasn't something he just made and somehow manipulated me into helping out--which I respect, if so. And while you can get a damn fine Bloody Mary at the Green Parrot a block away from the San Carlos Institute where the Seminar is held, Arlo pretty much insisted I take care of this last round of the week. After 3 nights of making cocktails for hundreds of guests I was a bit weary and not very inspired to create something amazing--but I had plenty of fixins, to say the least. With Bloody Marys I'm always taking a cue from Alberta Straub's 4-part video series on how to make her elaborate and delicious version, and while I didn't have time to do all the infusing and witchcraft she busts out I did have a lot of elements that she favors, which I knew would be a good foundation. So I threw a bunch of ingredients into a box, including several bottles of leftover citrus-infused Kettel One, and from the Neurogibson the pickled green onions and the pickling juice. In addition I pulled a big piece of ginger, some sliced and lightly pickled serrano peppers, white pepper, Tabasco, Worcestershire, good horseradish, and an assortment of bitters, both the indespensible Bitter Truth Travelers Set & Brooklyn Hemispherical Sriracha Bitters. Somehow I managed to get all this balanced on a bike and safely delivered to volunteer HQ.

There I did the best you can do when inspiration fails you--delegate. Mike Cook is a writer & bartender who's been on staff at the Seminar a couple times, and when I showed up with my kit I told him, "you're in charge" and left him to his own mixing devices.

A month or so later I entreated Mike to recall the recipe, below are his notes. 

Let's see if I can remember what I did for the Bloodies. I started
with the V8 juice, then added that smashed garlic. Next I added a lot
of horseradish. Three or four tablespoons for the pitcher.
Worchestershire sauce and hot sauce next. There was something else as
well.... ah yes, white pepper. I put probably a table spoon of that
in. I think that was it.

As various weary volunteers wandered through the room I watched them revive almost instantly upon sipping a Volunteer Marys. I encouraged everyone to play with bitters in theirs--Sriracha sort of writes itself, but the Bitter Truth Celery Bitters really made Jolly Benson's Bloody Mary stand out. You get that tradeamark celery salt vegetal bite without that sodium. With all the ingredients left out folks could tinker and adjust their own according to their inclinations. I think we got everyon back on track for that final afternoon.

KWLS Stage Manager (and Embury Little Brother) Ian Rowan with Arlo Haskell.

Lighting Director Julian "Jolly" Benson.

The Seminar couldn't exist without a massive volunteer effort, from the folks who work the door adn clean up the auditorium between sessions, to the social networking and blogging team, to the board members who put time in year round. I couldn't have presented as well-coordinated a cocktail front without some indespensible volunteers, myself, so many thanks to Erin Kelly, Aimee McNally, Che Bastien, Richard Congdon, and board member Nancy Klingener whose kitchen was annexed for the duration with my experimentations and preparations, and who chaffeured Team Embury to events and made sure to get us home in one piece. Eventually.

And finally, as we sat in the volunteers' lounge my fatigued eyes drifted across the titles of the books on the wall--and lit upon one called Bloody Mary, which in our collective punch-drunk state we took as some sort of pleasingly ominous sign or affirmation.

Wednesday's Cocktail: The Ghost Of Christmas Past....

This louche riff on a French 75 comes from DJ and Beefeater and Plymouth's man about town Nick Van Tiel. It's a bit flash with the Be24 and the P.J., but it is the holidays after all, and one ought to treat one's guests to something special. And oneself. The honey syrup is simply 3 parts honey to one part water--Nick pours the honey in a mixing tin, adds the water  and shakes vigorously---cold  water is fine when you shake honey, it blends up nicely, something I didn't know. The Angostura pulls it back from the cusp of too-sweet, or too-tart. If you make several at once, which is only natural with champagne cocktails, this is actually a rather simple recipe--as simple as Nick's crisp handwriting on the page of my notebook. I could drink these until New Year's Eve.

Discretion Is The Better Part Of Street Drinking & FIDI Iced Tea

A friend and I stepped into line outside the Upright Citizen's Brigade Theater in Chelsea recently and found ourselves standing next to the two fellows above who were drinking out of plain white paper cups with the requisite adult sippy lips, the kind one gets on a Starbuck's coffee.  Instinct told me it wasn't coffee in these cups however, and as we chatted with our neighbors the conversation further aroused my suspicion. The gentlemen were waiting to see bracingly dark comic Anthony Jeselnik, whose jokes run to the extremely black: "Someone asked if I would watch their houseplant while they were out of town and I'm like, I can't even keep a baby alive".  While Joren Hodel (L) engaged in some sort of lively text exchange Jason Lewis (R) ran more of Jeselnick's jokes for us. The gentlemen were friendly, witty and charming, and a bit irreverent and cool and even ribald, all without laying it on too thick. That's one of the most optimum states that drinking can escort you to, and if they were aided in their journey by something a little Irished up in those cups, it was working.

Lewis would later provide the recipe for the impressively well R & D'ed cocktail that they, in fact, were drinking. The "FIDI Iced Tea" turned out to be swell but what was most interesting at that moment were these stealth cocktail containers. Hodel pulled himself away from what I'm pretty sure was  lively sexting session and declaimed his master strategy with the cups. He'd ordered them in bulk from Whole Latte Love, 1,000 Commercial Solo Single Poly Paper Hot Cups at a cost of $56 cups and Commercial Travel Lids to match at about $50. For their swinging ventures out at night Hodel had learned to double up the cups to avoid seepage or condensation, and added an ingenious touch to thwart giveaway moisture--a layer of paper towel between to two cups. True commitment to the bit.

Well done. And later, in response to a query as to what exactly was in those cups Lewis texted back: FIDI Punch. Our drink (which we christened as the FIDI Iced Tea and took a month to perfect) is a combination of 3 shots vodka (after trying 20+ vodkas the only that work are Svedka, Grey Goose, Wodka, and the little known dirt cheap Ruskova) canada dry (do not go with Schweppes) lemon lime club soda, and a few squirts of lime juice from the plastic limes in the produce section (Grateful Harvest is best if you can find it).  Is not this sort or erudition and strategizing to make life more elegant and harmonious the very definition of being a true modern gentleman? So keep drinking on the streets: just keep it discrete.

Cocktail World Cup: Team Scotland's "The Wandering Chai"

For the punch competition at the Cocktail World Cup Team Scotland ( L-R, Aaron Jones, Ben McFarlane and Nick Reed) may not have won (Team U.S.A. took it home that night) but they did come up with a winner. A delicious milk-style punch, with soy milk taking the place of milk milk, some homemade chai, Appleton's 8 Year Old Rum and the 42Below Manuka Honey. When explaining their thinking behind the drink to the judges (including "Punch: The Delights (And Dangers) Of The Holiday Bowl" author David Wondrich, which made it a bit nerve-wracking, to be certain) the team talked about the fast pace of modern life and the popularity of coffee drinks on the go--to that end the punch was served warm, and in paper coffee cups, with sippy lids.

The use of soy was ingenious, keeping the mix from becoming too fatty, too savory--and it was one of the best uses of the hard-to-define Manuka in a cocktail that I've ever experienced. It was perfect for a cool fall night--as it was  when we were in New Zealand, and as it's--hopefully--the last few wet, cold weeks of spring here in the North there's still a chance to enjoy this liquid antidote to the chill.

THE WANDERING CHAI

800ml Soy milk
600ml 42 Below Manuka Honey
300ml Appletons 8yo Rum.
300ml Homemade chai syrup (made by boiling down chai tea and 1:1 sugar to water.)
A large knob of butter

Add all ingredients to a saucepan and heat (not boil) until butter is melted and milk warm. Serve in a take away coffee cup with a piece of home made almond and manuka honey praline.

Vintage Reserve: The Club, Playboy, March 1976

Almost everything about this advert flies in the face of what we believe in here at Embury: that taking care over making a proper cocktail and the pleasures that the process brings are worth the little extra time spent, and that RTD syrupy canned or bottled cocktails are crimes against good taste and good drinking (see Will Foster's eloquent rant here). However, our lazier neighbor here here has got one thing right--if getting a drink sorted gets in the way of getting some, then it's definitely advantage: 2C.

Cocktail World Cup: Postcards From Queenstown (1)

The dust is settling and the sleep patterns are beginning to return to normal after the balls-out marathon week of competitions, seminars and truly epic revelry that is the Cocktail World Cup. When 21 bartenders from around the world, assorted cocktail writers and media and a ton of brand folk get together the game is changed, party-wise. An interesting thing though--there was a real fraternal aspect to the late nights, of bartenders coming together through some real shared sensibilities and passions. And almost inhuman stamina. Which you needed to get up in the morning and listen to people like David Wondrich and Salvatore Calabrese drop knowledge. Sensory overload all around. Above, a shot from behind the judges at the final competition in the Cup, held in a giant circus tent somwhere in the wilds around Queenstown.

Team Italy's Daniele Dalla Pola brandishing bitters (Brooklyn Hempispherical Rhubarb Bitters, to be precise) at one of the highlights of the week. After a punch competition (dauntingly judged by David "Punch" Wondrich, the man who knows more about the stuff thatn anyone else) the teams of bartenders took turns behind an incredibly well-stocked bar and made cocktails for the assembled, who included actual real local folk, not just the ingroup of 60 who traveled as a pack all week. it was great to see the bartenders just freehanding cocktails and making drinks to order, and making drinks up.

3 of Daniele's creations from his turn at the bar, all employing rhubarb bitters. I'm particularly proud of being able to carry 3 drinks in one hand.

At the punch challenge, Team New Zealand rocked a punch served from a gourd.

For this challenge teams had to build a cocktail around wine, wine from the very vineyard we were at, the very beautiful Peregrine.

Bartenders and media.

The Peregrine open air tasting room.

 

 

 

 

 

 

 

 

 

Further New Traditionalists & The Debut of the Indian Summer

 

Last Thursday while twin tornadoes ripped across Brooklyn knocking down over 1,000 trees, Team Embury was setting up for its first event of the fall at ne0-retro furniture outfitters The New Traditionalists, in their cozy--and safe--showroom in Soho. Despite a late start due to city-wide apprehension over the intense storm the faithful still made the trek and by 7 p.m. the party was in full swing. I had the chance to demo a new cocktail I'd come up with called "Indian Summer", using Cynar, Beefeater Summer Edition and a puree of equal parts fresh red peppers and pickled sweet and sour mixed peppers--pretty damn tasty, if I do say so myself, and several guests declared its potent foodiness to make it a great alternative to a Bloody Mary. Huge respect to Nic Hirsch of Cellar Bar at Andaz 5th Avenue for his recipe Cynar Rosso (see our post here) that's the source of my original inspiration, and to John Byrd for suggesting the addition of the sweet and sour peppers. Hirch's original recipe calls for Martin Miller's Gin and the crisp, almost biting citrus notes partnered beautifully with the red pepper he muddled it with. But the elderflower, hibiscus flower and blackcurrant notes of the Summer Edition give the sweet and sour vinegared peppers something complex and earthy to work with, and the Indian Summer feels like a great late harvest drink.

 
INDIAN SUMMER

3/4 ounce Cynar
2 ounce Beefeater Summer Edition Gin
1.5 ounce puree of fresh red peppers and sweet & sour peppers*
3/4 ounce fresh lemon juice
1/4 ounce turbinado syrup

I made a punch with the recipe and shook individual servings. As a combination garnish and ice cube I froze some colorful habaneros in a take-out container.
*I used "Peperoni in Agrodolce" from Il Mongetto-can be purchased at BuonItalia in Chelsea Market--they don't seem to be on the website yet but can be ordered by phone at 212-633-9717, and they're about $12.

Amy McNally of Brooklyn's Camp bar and Embury's main man Mark Buettler were on hand. Mark was mixing up something we'd worked on together, a spicy riff on a Paloma, using our still-in-development sriracha bitters.

Clicking on the recipe cards below should give you a nice big printable file.

 
Jaime Salas of Milagro manned a station, serving up the Mora y Sylvia  with blackberries and Fee Brothers Whiskey Barrel Aged Bitters.

  

Friday Night Cocktail: Cucumber Champagne Cocktail: Version Two

 

The pressure was one to come up with a well-rounded, handsome riff on the work-in-progress cucumber & champagne cocktail, as some friends who are getting married at the Metropolitan Club in May were stopping by to talk about ideas for their signature cocktail. I served up a couple new iterations that I'd come up with, and the first one we tasted was the winner.  It does require sourcing fresh cucumber juice (which I just get at a juice bar near my apartment), Bottle Green Elderflower Cordial and Regan's Orange Bitters No. 6, which you should have already. Both cordial and bitters are available at Kalustyan's, and they do shipping. But once you've got all that it's rather easy to make, fresh and Spring-y, a bit flash, which if fun at a fancy wedding, and quite, quite irresistible.

As Yet Unnamed Champagne Cocktail:

1.25 oz. Hendrick's Gin
3/4 oz. Green Bottle Elderflower Cordial*
Juice of 1/2 medium lime (about 3/4 oz)
Tablespoon of cucumber juice, with foam

Build the above in a flute, but  start with the orange zest garnish in the empty glass--essentially it's a long, very narrow strip of orange zest that snakes around the inside of the glass about 3 times--it's an exaggerated Horse's Neck twist. Top off with champagne leaving room for about 1/2 Tablespoon of cucumber juice with foam. Top with generous dash of Regan's Orange Bitters No. 6. (Again, Kalustyan's)

*Dilute the Cordial by cutting it in half-1:1.